I have tagged as “love poetry” any poetic expression written by a woman (or in a woman’s voice) to a woman that would be considered love poetry if written between an opposite sex couple.
An Appendix of Texts from the Arabian Middle Ages Concerned with Female Homosexuality
”On the Mention of Grinding and Grindings” in al-Yemeni, Ahmad Bin Mohamad Bin Åli (d. 850).
Explains the nature of “grinding” and the vocabulary.
Notes the hadith the equates grinding with fornication.
Gives the story of Hind credited as the first “grinder”.
Gives the story of Rughum and Najda (tragic lovers).
Chapter 4: A close reading of Aĥmad Ibn Yusuf Tifashi’s Nuzhat al-Albab - Toward re-envisioning the Islamic Middle East
Chapter 2 - Constructing and deconstructing sexuality: New paradigms for “gay” historiography
Part II: The history and representation of female homosexuality in the Middle Ages
Chapter 3: An overview of Medieval literature concerning female homosexuality
In this chapter, Donoghue addresses the concept of “romantic friendship”, both as the term was use in the 18th century, and as applied by modern historians in situations when no irrefutable evidence of genital sexual activity is available. In both cases, the use of the term “friendship” tends to dismiss the strength of the bond (which frequently involved a lifelong partnership) and set up a false dichotomy between these relationships and more overtly sexual ones identified as “lesbian”.
This article concerns an individual who may more properly be interpreted as transgender, however as noted a number of times before, in a historic context where heteronormativity is so strong as to impede the ability to self-define as a woman-oriented woman, interpretation can be ambiguous.
Renaissance philosophy tackled the question of friendship: who is an appropriate friend, what behavior should a friend exhibit, what is the relationship between the love of friends and sexual desire? Given the times, the majority of texts addressing this topic were concerned with friendships between men, though a nod was often given to Sappho as a proponent of female friendships, or to the possibility of “Platonic love” between women, which is given explicit license in the Symposium as well as by Renaissance writers commenting on it, as Agnolo Firenzuola did.
