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love poetry

 

I have tagged as “love poetry” any poetic expression written by a woman (or in a woman’s voice) to a woman that would be considered love poetry if written between an opposite sex couple.

LHMP entry

The English poet Katherine Philips, writing in the mid-17th century achieved a significant reputation during her own lifetime, one of the earliest English female poets to do so. Despite a bourgeois background, her personal charm and talents brought her entry into court and literary circles. Her reputation would continue into the 18th century before fading into being considered merely sentimental and an example of the préciosité fashion, and of interest only for the male literary circles she intersected.

When one of my summaries is basically a list of contents, either it means that the publication is really thin on relevant content, or it means that it’s so rich that you simply need to buy the book and put it in a cherished place on your shelf. This one is the latter. At least half the contents apply to women’s experiences (although it’s still true that the male-authored female-relevant content far outnumbers the female-authored male-relevant content) and the collection includes many of the oft-cited texts from the covered period. Far from all, but an excellent place to start.

As might be predicted from past experience with general survey works, the amount of material relating to female same-sex relations in this book is low. And like most surveys that cover all of history up to the present day (1969 counts as “the present day” for practical purposes), more than half the page count covers the 20th century. Out of 120 entries, I counted 14 that were in any way relevant to the LHMP (and that includes anything ambiguous between lesbians and trans men).

This is an anthology of literature, rather than an analytic text. The organizing principle for selection is examples of love between men or between women who are not biologically related. Literary texts often don’t overtly show the truth of relationships or how those participating in the relationship understood themselves, but they can show how such relationships were represented and expressed.

Introduction by Marilyn B. Skinner

This is an invaluable book that collects all manner of classical Greek and Roman texts relevant to homosexuality in a single volume. I doubt that it’s exhaustive, especially with regard to male homosexuality, but Hubbard seems to have made special efforts to include female-oriented material. The material is organized chronologically and by literary genre, with an introductory discussion in each section to provide historic context.

Lanser opens her article with the bold hypothesis that “in or around 1650, female desire changed.” That there was a conceptual shift in gender relations reflected in literature, politics, religion, and individual behavior in which private intimate relationships between women became part of public life, and that this shift shaped women’s emergence as political subjects claiming equal rights.

[Note: I’ll be including additional data and discussion of some of the vocabulary discussed in this article for my readers. The original article was written for an audience that is assumed to have a familiarity--perhaps even fluency--in the Welsh language. I think it’s not entirely self-serving to think that my PhD in Welsh historical linguistics might be excuse enough to think I can bridge that gap for my readers.

The author looks at texts that can be read as homoerotic  addressed between religious women in medieval Germany. She specifically rejects the approach of treating women’s homoerotic experiences as equivalent to, or subsumed under, men’s experiences. After examining this type of literature in general, she applies that understanding to the writings of a specific woman who helped develop the concept of Christian bridal mysticism: Hadewijch of Brabant (early 13th century).

Chapter 1: Sex and the Middle Ages

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