This is a narrative history of Anne Lister’s life between November 1831 and March 1834, the period covered by the tv series Gentleman Jack. The book was written specifically as a companion to the tv series, giving the actual details of Anne’s life during that period, which differs in various details from the tv series. (The tv series both omitted and invented significant details.) Interspersed in the narrative are extensive quotes from Anne’s diaries.
19th c
LHMP entry
Introduction: Who is the Lesbian?
For the purposes of this book, “British lesbian history” begins in the late 18th century. It was unclear to me if this was simply a chosen scope based on the source material they wanted to present, or if the authors believe there is no lesbian history prior to that date. They assert that “lesbian identity” is a late 20th century concept. “Women…did not necessarily have a language to describe themselves as lovers of women.” [Note: we can take it as given that I disagree with that position.]
This article looks at French working-class lesbian culture from 1882-1930 and notes that a lot of previous coverage of French culture in this era has focused on the demi-monde, artists, and salon culture. The author challenges the assertion by some historians that a history of this sort—at the intersection of gender and class—is impossible to write. The decadent esthetic and visions of the Belle Epoque stand in contrast to the experiences of the working class. This was an era of union and feminist movements. WWI stepped up women’s participation in the industrial workforce.
The title of this anthology is a call-back to Donoghue’s non-fiction work Passions Between Women. In contrast to the previous blog on The Defiant Muse, pretty much the entire contents of this collection are relevant in some degree to the Project. So I won’t be citing specific poems. (Several have been included in various of the poetry podcast episodes.) This book makes a nice compare-and-contrast to The Defiant Muse. It is entirely Anglophone authors and specifically focused on poems about relationships between women—erotic, romantic, and platonic.
The introduction reviews the history of feminist literary criticism and notes that it has tended to focus on prose. Multiple filters and gatekeeping mechanisms stand in the way of presenting non-Anglophone feminist poetry to a larger audience. Feminine stereotypes have pressured women poets into restrictive genres: domesticity, romance, religion, etc. This collection seeks out pets and poems that operate against this restriction.
It might seem odd to cover this article after covering Turton’s book (Before the Word Was Queer) that functionally includes material about Anne Lister, but “The Lexicographical Lesbian” goes into a bit more detail. And besides which, I’m a completist.
This chapter focuses on the philosophy, history, and development of the Oxford English Dictionary (OED) specifically. The creation of the OED was a monumental project, delivered alphabetically in fascicles (separate installments of a larger work, meant to be bound into a single volume when complete). The fascicles were released beginning in the 1880s and completed in 1928, followed by a supplement in 1933 to catch up with developments in the previous half century.
This chapter compares the dearth of entries for f/f sexuality in general dictionaries in the 1750-1850 period with the wealth of discussion on those topics in medical dictionaries. The appearance of medical dictionaries as a genre aligned with an explosion of vernacular publishing in the health field in the 16-17th centuries. These were aimed not only at non-specialists, but at health workers outside the academic elite—people who didn’t have access to Latin literature. The publishing establishment operated as gatekeepers in terms of what material got published and how it was presented.
This chapter opens discussing how dictionaries explicitly presented themselves as censoring inappropriate language when aimed at an audience that included women. This sort of comment shows up as early as the later 18th century. Even the nature of what was being censored is censored, with explanations that it is aimed at “inelegant” words, rather than objectionable or obscene ones.
This chapter begins exploring the assertion that languages bear an essential relationship to the nature of their speakers, and that deviations of the language from this essential quality can be attributed to foreign influences. This idea appears in the introduction to a 1676 dictionary. The naturalization of words is paralleled to the naturalization of citizens and must be a strongly policed. Ethnic stereotypes are ascribed to languages along with the people who speak them. English, of course, is assumed to be neutral, moderate, and free from excess.
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