Donoghue’s second conceptual cluster in this analysis is the “female husband” motif. That is, not simply women passing as men, but doing so in a context where they courted and/or married other women. The chapter begins with a general note on the prevalence of this type of event and the wide variety of superficial motivations for passing.
female co-habitation
Sharing a household is not a pre-condition for participation a close same-sex romantic or erotic relationship, but cultures which normalized co-habitation by unrelated women created a context where such relationships could be more easily accommodated.
LHMP entry
This article isn’t so much on lesbianism in a cultural context as on the methodology of studying the topic, and particularly the importance of not assuming equivalence between male and female homosexuality. Please note the publication date and filter appropriately. As most of the specific cultural citations are relatively modern, I’ll be discussing the general patterns.
Lanser opens with a letter from the intellectual Elizabeth Montagu in 1750 deploring the plan of two female friends to live together as it will "hurt us all" if women "make such a parade of their affection" leading to suspicion regarding all female friendships. Lanser argues that Montagu's objection is unlikely to be to romantic friendships as such. The sister to whom the letter was addressed would later pen Millenium Hall, a celebration of separatist female friendship.
The 18th century saw a polarization in attitudes, both in popular culture and in real life, between the "safe" de-sexualized romantic friendship (associated with educated and upper class women) and the "dangerous" sexual, gender-transgressing lesbian (associated with lower-class or socially marginalized women). Gonda looks at two women who--although their lives and careers show striking parallels--could be considered prototypes of these poles.
Beynon studies fictional (and biographic) narratives of "accounts" as a window on the gendering of economic competence in the 18th century. This specific article concerns two relationships between women that are framed or viewed in terms of their economic logicalness and success: Barker's embedded story "The Unaccountable Wife" in A Patch-Work screen for The Ladies, and Defoe's Roxana. The former is an odd tale of a married couple and their female servant who is, apparently, also the mistress of the husband.
A survey of unmarried female characters in medieval French courtly romances. The article begins with a consideration of the character of Silence (see Roche-Mahdi 1999) who, having been raised as a boy for inheritance purposes, debates whether to retain the social privileges of a male role. The focus of Silence’s story is on her exploits in a male role and her eventual return to a female role at the resolution is perfunctory. Using this as a starting point, Krueger explores representative scenarios involving characters who have adventures as women.
The actual demographics are hard to reconstruct (see previous entry), in part because attitudes towards singlewomen affected how records were compiled. The belief that women should be "under men" led to ignoring those that weren't. Tax records didn't list wage-earners so entire classes of single employed women might be absent. Marital status is not always retrievable from how names were recorded. A woman recorded as “X wife of Y” is clearly married, but “X the Occupation” might or might not be.
Chapter 3
This chapter compares similarities and differences in a related group of stories from both French and Arabic sources that use cross-gender disguise as a bridge to the possibility of same-sex relations. The French tales and their Arabic counterpart share enough themes and tropes to suggest a common inspiration, but the attitudes of the characters and the resolutions reflect their respective cultural differences.
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