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Rosa Bonheur

19th century French artist who had a romantic partnership with Nathalie Micas.

LHMP entry

The idea of “modern lesbian identity” and when it can first be identified is a question that has preoccupied many historians in the field. In this article, Vicinus tackles the question. Keep in mind that this article was written in 1992, so it was still rather early in terms of current lesbian history scholarship.

Part I – Husband-Wife Coupling

The first two chapters cover a number of couples who explicitly presented their relationships as marriage. They controlled people’s perception of the relationship by careful management of their public performance. The framing of the couples as “married” was often accompanied by one partner performing a somewhat more masculine style and perhaps attributing her attraction to women to an inherent masculinity.

There was a narrow list of available occupations for a middle-class woman in the later 19th century--teacher, nurse, glorified lady’s maid, or occupations that shaded more in to the questionable: seamstress, actress. But for a select few, the professions were beginning to open up: doctor, professor, social reformer. To succeed in these professions meant foregoing marriage to a man for a wide variety of reasons.

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