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USA

Includes Colonial America in what would become the USA. May also be used generally for North America if sources were not specific. See also separate tag Native America for discussions of indigenous North American cultures.

LHMP entry

While the first half of Manion's book focuses primarily on female husbands in England, the second half moves across the ocean to the United States. People who transed gender in 19th century America for economic reasons operated not only within the binary of male and female, but within a racial context that largely categorized work along racial lines.

This chapter looks at the experiences of the people fulfill like the role of wife to a female husband. The first case is that of James Allen who was killed in an industrial accident in 1829. Allen’s wife Abigail then had to deal with the fact not only of her husband’s death, but of public knowledge that her husband was a person assigned female. They had been married for 21 years.

PAF transing gender to join the military or go to sea were common both in life and popular culture, with a wide variety of motivations. In isolated cases those who performed well before being unmasked might be celebrated and even rewarded, such as James Gray, William Chandler, and Robert Shurtliff whose (somewhat fictionalized) autobiographies helped ensure their fame. Common knowledge of stories such as theirs kept trans possibilities in mind, although there were significant barriers to success.

In 1746, in England, Charles Hamilton married Mary Price. While Hamilton was not the first person assigned female (PAF)[see note] to be called a “female husband” or to marry a woman, Hamilton’s case solidified the use of the label female husband, and in particular Henry Fielding’s fictionalization of Hamilton’s life established a number of the tropes that would be associated with the concept from then on.

Manion begins by introducing several of the historic figures who will feature in this book: Charles Hamilton in 18th century England, George Wilson in 19th century New York. These are just two of the many individuals collected under the category “female husbands,” who claimed a male role in society including the right to marry a woman.

Diggs begins with a review of recent (in 1995) work on the relationship between romantic friendship and lesbian history, especially Smith-Rosenberg 1975 and Faderman 1981.

This is a very brief paper—the sort you might expect to hear as an introductory presentation at a conference, touching lightly on key concepts but not really focused on new or analytic information.

Boyd is poking at the difference between “lesbian history” as the study of a category, of “a kind of person,” and as the study of particular historic individuals, communities, and institutions that we associate with that category. She asks whether it’s appropriate to use the word “lesbian” to identify people and communities who did not use that word for themselves?

The idea of “modern lesbian identity” and when it can first be identified is a question that has preoccupied many historians in the field. In this article, Vicinus tackles the question. Keep in mind that this article was written in 1992, so it was still rather early in terms of current lesbian history scholarship.

Part IV – Modernist Refashionings

While chapter 1 looked at women who were able to forge exceptional lives through individual resources, whether of money or talent, this chapter looks at the options available through a supportive community. Specifically an extended community of English and American expatriates in Rome in the third quarter of the 19th century. The core of this group was formed of artists and writers, extended through their friends and partners. And at the center were actress Charlotte Cushman and sculptor Harriet Hosmer.

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