The general topic of this article is the use of music and musical imagery in the experience and expression of religious devotion, particularly as an embodied experience. The starting point for the thesis is the establishment of a rhetoric of embodied sensual experience of “divine music” both as a metaphor and as literal sensory perception. The author states: “I will explore just a few of the many ways in which Hildegard’s musical compositions exemplify her own conceptions of body--particularly the female body--and its central role in religious devotion.
Germany
Covering approximately the region of modern Germany, but sometimes more generally the broader historic scope of German-speaking regions.
LHMP entry
Chapter 5: Condemnation and Praise
Two extremes show the range of reactions to women passing as male soldiers who were discovered only after death. Aal the Dragoon was handed over for medical uses (a fate reserved for serious criminals) and ended as a taxidermy display. Trijntje Simons (serving as Simon Poort) was buried with full military honors with both military and civic dignitaries in attendance.
Chapter 3: Motives
Chapter 1: Introduction
We start with a type-case (although unusual in the level of detail given in the court records). Maria van Antwerpen dressed in men's clothing, took a male name, and enlisted as a soldier in 1761. For eight years she lived undetected, including courting and marrying a woman. When discovered, she was tried and condemned for fraud and for "mocking laws concerning marriage." It was discovered that she she had been tried for the same offenses in 1751. She was neither exceptional nor unusual.
In the context of the Germanic (and especially Old Norse) motif of the “shield maiden”, Clover studies a specific story-type that she terms the “maiden warrior”, as typified by Hervör in Hervarar saga ok Heidhreks, and identifies a characteristic context for this particular version of the warrior woman motif.
The article begins with a survey of the discussion of, and attitudes toward distinguishing biological sex and gender behaviour in professional literature. Especially in distinguishing transvestism, transexualism, gender non-conformity, and more situational uses of cross-gender behavior. This article focuses more on those situational uses rather than cross-dressing as a feature of gender or sexual identity.
As a a methodology article, Murray begins with the usual discussion of the problems of data on this topic, in particular the double-whammy by which women's history sidelines homosexuality, and the history of homosexuality sidelines women. Having gotten past the problems of definitions and theory, the article presents a survey of types of historic data on women's affectional, erotic, and sexual relations with each other. The material contrasts with Bennett's survey article (Bennett 2000) in that it focuses more broadly on literature and legal theory rather than specific individuals.
There’s a rich amount of data on singlewomen and female-headed households in medieval Germany. Tax records for selected cities in the 14-15th centuries show between 17-25% of tax-paying households headed by women. Widows were often labeled as such in the records but it isn’t alway possible to clearly distinguish never-married women, though estimates suggest they may have been as many as half of these households. This continued in the 16th century with tax records indicating that 20-25% of tax-paying urban households were headed by women.
Benkov reviews how the squeamishness of medieval legal texts in indicating how the word "sodomy" is applied to women's acts effectively erases the lesbian nature of their activity: “women with each other by detestable and horrible means which should not be named or written about.” Which text is placed beside for more simple and clear descriptions of men participating in anal intercourse. Crompton (1980) addressed the question of prosecutions of women for sodomy up to the French revolution, but little additional material has been added since.
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