The introduction notes the extreme variation in how female same-sex relationships were treated, in terms of penalties, liability, and the means and extent of enforcement, including differing legal theories of whether the term “sodomy” could apply. As a generalization, consensual same-sex behavior was least prosecuted in England, while Florence may have regularly prosecuted relations between men but the penalties were relatively light, while in Spain penalties were regularly quite severe including execution, and similarly severe were those recorded in Geneva.
England
Covering topics relating specifically to England or generally to the region equivalent to the modern United Kingdom. Sometimes lazily and inaccurately used generally for the British Isles, especially when articles don’t specifically identify the nationality of authors.
LHMP entry
Robinson uses the pornographic L'Academie des dames to explore the portrayal of sex between women and of non-procreative sex in general in the later 17th century. The work is structured as a dialogue between two women: the older, experienced Tullie and her younger cousin Octavie who moves from fiancée to wife in the course at the book. It is a French adaptation of Chorier's Latin Satyra Sotadica which was published two decades earlier.
O' Driscoll looks at changes in attitudes toward female sexuality and same-sex desire through the lens of the dildo in popular culture.
Haggerty examines several examples of female villains in gothic romances to develop what strikes me as a rather weak theory of homoerotic attraction as subtext in the stories. Identifying a number of stories in which the heroine is persecuted and abused by a female villain (rather than the default male villain), he finds that they “suggest that the relations between women can be played out as potentially erotic, just as sado-masochistic relations between men and women are.”
Lanser opens with a letter from the intellectual Elizabeth Montagu in 1750 deploring the plan of two female friends to live together as it will "hurt us all" if women "make such a parade of their affection" leading to suspicion regarding all female friendships. Lanser argues that Montagu's objection is unlikely to be to romantic friendships as such. The sister to whom the letter was addressed would later pen Millenium Hall, a celebration of separatist female friendship.
The 18th century saw a polarization in attitudes, both in popular culture and in real life, between the "safe" de-sexualized romantic friendship (associated with educated and upper class women) and the "dangerous" sexual, gender-transgressing lesbian (associated with lower-class or socially marginalized women). Gonda looks at two women who--although their lives and careers show striking parallels--could be considered prototypes of these poles.
The journals and correspondence of Anne Lister have proven an absolute treasure for the internal life of an early 19th century upper-class woman whose erotic life was unapologetically oriented towards women. [Note: I’ll be covering the published editions of Lister’s journals in a future entry.] But, as Colclough notes, the extensive scope of the material means that research publications using it are necessarily filtered and skewed toward the particular interests of the writer.
Beynon studies fictional (and biographic) narratives of "accounts" as a window on the gendering of economic competence in the 18th century. This specific article concerns two relationships between women that are framed or viewed in terms of their economic logicalness and success: Barker's embedded story "The Unaccountable Wife" in A Patch-Work screen for The Ladies, and Defoe's Roxana. The former is an odd tale of a married couple and their female servant who is, apparently, also the mistress of the husband.
Like Gonda’s article on Scott and Charke, Donoghue’s examination of the Anne Damer points out the artificially polarized popular view of affection between women, where very intense romantic friendships were acceptable and even praised so long as they avoided even the rumor of erotic activity. Damer failed to avoid those rumors, but it is unclear whether her refutation of the label of “Sapphist” lay in truth or definition.
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