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singlewomen

 

The study of the lives of non-married women, regardless of their affectional preferences, identifies contexts in which women who preferred not to marry men would be unremarkable.

LHMP entry

Renaissance drama provides a case study in how lesbian themes and female homoerotic potential can be hidden in plain sight simply by the denial of their possibility. Traub notes that even today one can find vehement denials of homoerotic content in such overtly suggestive works as Shakespeare’s Twelfth Night. And less overt content may only emerge into view through an awareness of the era’s understanding and encoding of female desire and forms of female intimacy.

The rise of a virulently negative attitude toward never-married women in the 18th c. seems to have been a peculiarly English reaction. While negative attitudes toward never-married women appear earlier, the 18th c. saw an increase in hostility. This occurs in parallel with the rise of feminist literature challenging sexist and patriarchal structures, and especially questioning the benefit of marriage to women. The negative screeds against “old maids" presage modern anti-feminist venom in framing singlewomen as simultaneously sexually frustrated and undesirable to men.

There’s a rich amount of data on singlewomen and female-headed households in medieval Germany. Tax records for selected cities in the 14-15th centuries show between 17-25% of tax-paying households headed by women. Widows were often labeled as such in the records but it isn’t alway possible to clearly distinguish never-married women, though estimates suggest they may have been as many as half of these households. This continued in the 16th century with tax records indicating that 20-25% of tax-paying urban households were headed by women.

A survey of unmarried female characters in medieval French courtly romances. The article begins with a consideration of the character of Silence (see Roche-Mahdi 1999) who, having been raised as a boy for inheritance purposes, debates whether to retain the social privileges of a male role. The focus of Silence’s story is on her exploits in a male role and her eventual return to a female role at the resolution is perfunctory. Using this as a starting point, Krueger explores representative scenarios involving characters who have adventures as women.

This is a complex, data-heavy survey of sources for the demographics of singlewomen, the overall (very complex) patterns that emerge, and an analys of the theoretical frameworks that attempt to explain those patterns. For my summary, I’ve rearranged the topics to try to focus on single variables at a time.

Included for completeness’ sake as the collection in general is relevant. However as this article concerns itself with the heterosexual activities of singlewomen it has little relevance to the project.

Male-centric views of sexuality frame singlewomen either as lonely and frustrated (spinsters) or as dangerously promiscuous (whores), but this dichotomy ignores the possibility of the sexual desires of singlewomen being satisfied by other women. There is an idealized image of pre-modern lesbian that finds its epitome in the Ladies of Llangollen type from the late 18th century.

The article looks at category differences between never-married women and widows. There can be a problem with conflating the two despite superficial similarities. Widowhood was more respectable, while singlehood was both pitiable and suspect. Singles were sometimes twice as common as widows, only emphasizing differences in treatment in the records. Widows were viewed as being a deputy for her late husband but the never-married were expected to be dependent, either on a father or as a member of another (male-headed) household.

The actual demographics are hard to reconstruct (see previous entry), in part because attitudes towards singlewomen affected how records were compiled. The belief that women should be "under men" led to ignoring those that weren't. Tax records didn't list wage-earners so entire classes of single employed women might be absent. Marital status is not always retrievable from how names were recorded. A woman recorded as “X wife of Y” is clearly married, but “X the Occupation” might or might not be.

The article looks at Venice in the 16-17th centuries. Social commentaries framed singlewomen who were not under male control as “dangerous”. Charity aimed at this sector focused on dowries and making young women more mariagable. This paper proposes that worsening circumstances for singlewomen in the16th century resulted in expanded and new opportunities, especially female communities. There is discussion of the usual problems with documentation. In the 16th c. the best source is church 'censuses’ of baptismal status.

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