Sorting Out Rackham’s Crew
Given the wide variety of numbers given for Rackham’s crew, it might be useful to digress a moment and try to sort things out.
sexual/romantic desire
This tag is used broadly when there is discussion of erotic or romantic desire between women, whether or not specific activities are mentioned.
LHMP entry
I was inspired to tackle this set of material because of the flood of sapphic “pirate romances,” many of which are reworkings of the myth (and I use “myth” advisedly) of Anne Bonny and Mary Read, while others spin off from the Hollywood version of the broader myths of the Golden Age of Piracy derived from the anonymously authored General History of the Pirates. As often happens, I was curious to know the original primary source materials that set these myths in motion. Moreover, I was curious to try to determine what parts of that source material might have any basis in fact.
This is a startlingly (I might say unexpectedly) excellent and comprehensive survey of lesbian-relevant history in Early Modern Europe. That actually makes it difficult to summarize (as well as difficult to tag, though I’ll give it my best shot). I think I’ll approach it by noting themes and topics, without necessarily trying to compose complete sentences.
Lardinois (who several years earlier wrote an excellent article digging into the actual known facts about Sappho’s life, and their likely interpretation – Lardinois 1989) examines the evidence for the context in which Sappho’s poetry was performed and the likely composition of her audience.
The basic theme of this article is how, even as the overt message of Ovid’s Iphis and Ianthe denies the possibility or imaginability of female same-sex love, the way in which it does so creates and reinforces that possibility in the audience’s reception. The article starts with a detailed synopsis (for which you could see my podcast on the topic).
The poem by Sappho identified as “fragment 1,” which isn’t a fragment but the only surviving complete poem, is also the one where Sappho as a woman-desiring-woman is most overt. This is not only because she names herself within the poem, but also because it is specifically about asking divine help to attract the love of another woman.
In the ages before people fought their academic battles in mailing lists and then blogs, the pages of academic journals often recorded back-and-forth rivalries over such details as the accuracy of translations and interpretations, proper credit for prior publication, and accusations of misunderstanding. This article is one of those: largely a record of detailed pedantic rivalry over whether a prior rebuttal to a previous article had correctly understood the original author’s position.
This book as a whole looks at connections between medical theories and political culture, in 18-19th century Britain and France. Only one chapter has any relevance to the Project and this summary will be confined to that material.
Chapter 1: The Case of Marie Antoinette: Revolutionary Politics and the Biologically Suspect Woman
Like a number of other publications, this focuses on the political propaganda that depicted Marie Antoinette as an extreme sexual deviant along several axes, with a special interest in tying those themes to deviant anatomy.
This is a collection of excerpts from historic sources related to homosexuality in America. As with other publications of this sort, I’m mostly going to be cataloging the items of interest. Although it’s a very thick little paperback, the lesbian content is sparse. In fact, Katz notes, “In the present volume, Lesbian-related material is dispersed unequally within the parts, and not always readily identifiable by title—thus difficult to locate at a glance.
This article is something of a cross-genre, cross-temporal look at the representation of Anne Bonny and Mary Read as “sapphic pirates” and what part their stories have played within the constructed image of 18th century piracy and colonialism.
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