In 1857, a woman arrested for cross-dressing successfully challenged the charge on the basis that there was no law against what she had done. Six years later, that legal absence was altered. The anti-cross-dressing law was the result of three stages of logic: that cross-dressing, prostitution, and a variety of other activities constituted indecency; that indecency was a social problem that needed to be addressed; and that local laws were an appropriate solution to that problem.
cross-dressing
Any context where an individual wears clothing that is socially designated for a different gender than the one they are assigned. The tag includes instances where clothing is used as an overt symbol rather than an overall presentation.
LHMP entry
In the second half of the 19th century, a number of U.S. cities instituted laws against cross-dressing. Past studies have tended to investigate this topic from a context of gender transgression or sexuality, seeking to claim that piece of history variously for gays and lesbians or for transgender people, or simply for gender non-conformists in general.
This chapter lays out the historic and cultural background of cross-gender behavior in mid-19th century California, and in San Francisco in particular. The demographic effects of the Gold Rush, with its sudden and overwhelming immigration of miners (primarily male) is the most obvious, but this came hard on the heels of the forcible transfer of California from Mexico to the United States, with resulting upheavals in the balance of power between various racial, economic, and religious groups.
In the chansons de geste, women might don male garb for a variety of reasons, especially for safety, but also to be able to participate in masculine activities or join male groups. There is a repeating motif of the woman who disguises herself as a knight and succeeds in winning great renown in that guise. A common twist then has her dealing with the amorous or matrimonial desires of another woman, as in the story of Yde and Olive.
This article looks at the Middleton and Dekker play (1608) The Roaring Girl based on the life of Moll Frith. One of Frith's several claims to fame was her habit of going about London openly wearing male clothing. That is, she made no effort to pass as a man or to use the clothing as disguise, but rather adopted it as a form of personal expression. The theatrical depiction of her similarly challenges gender expectations and anxieties, but obviously in a more self-conscious way.
Lesbian Historic Motif Project: #52 - Rupp 2009 Sapphistries: A Global History of Love Between Women
Chapter 1 (Introduction)
A discussion of terminology, some of the cross-cultural problems of defining the topic of the book, and a statement of intent.
Chapter 2 (In the Beginning: 40,000-1200 BCE)
Edition and English translation of a 13th c. French Arthurian romance. Roche-Mahdi has a brief preface giving the history and context of the manuscript and a brief synopsis of the major themes.
This is a study of one of the “transvestite saint” legends (for which generally see Anson 1974 et al.). The general context of these stories is the misogynistic and gender-segregated context of early Christianity, in which women who wanted to pursue a religious life might choose to pass as men both for logistical reasons (in order to be able to join a male-only monastic community) and for spiritual reasons (following Biblical language that suggests that women need to become “male” in order to achieve heaven.
In considering various types of transgressive cross-dressing (e.g., for theatrical purposes), Schleiner begins by looking at some literary models available within that context that focus around logistical gender disguise.
For sheer soap-opera fascination, the trial of Katherina Hetzeldorfer in 1477 in Speier explodes a number of potential myths about lesbian activity in medieval Europe -- whether that there was none, or that it was given no official or legal notice.
Pages
